Ovid’s epic the Metamorphoses is constantly playing with different narrative voices. In the myth of Arachne we are shown how fleeting our stories can be. Ovid looks at the tension between the male and female voice, exploring the fragility a woman’s tale has in contrast to the authoritative male perspective.
In this myth, the young girl Arachne boasts that she is a better weaver than the goddess Minerva. She challenges the goddess to a contest, and the goddess answers. In her tapestry, Minerva depicts the gods and goddesses in all their divine majesty, and in the corners she weaves mortals who have been punished for daring to challenge the divine. Arachne on the other hand portrays the rapes of the gods. She shows them using disguises to deceive girls into sleeping with them. Unlike Minerva’s stately and structured masterpiece, Arachne’s is confused and fluid, and yet when the goddess inspects it she can find no fault with it. Enraged, Minerva destroys the tapestry. Arachne, who is devoted to her art, is devastated and hangs herself. The goddess feels a modicum of pity and rescues Arachne by turning her into a spider, sentenced to spend the rest of her days spinning webs.